The philosophy of Bushido applied to life.
"I have not participated in a Gashuku in about one year.
I also went through tough times. In 2003, the year of the "Last Samurai" movie, I was called by my "Daimyo" (feudal leader), to leave my position in the castle, and also become a Ronin. The reason: I picked up a call from a jornalist of Folha de São Paulo (main newspaper in Brazil), while with a pacient.
Although I did not know who the pacient was, I answered the phone and quickly asked the journalist to return the call after, since I was working. The pacient was none other then the head of HR of the company that we were working for.
But sometimes life is like this. A luck game...
2003 - The year of "The Last Samurai" Movie
"I went through highs and lows, but what kept me focused was, without doubt, the Niten. With a lot of effort I was able to concentrate and persevere in my daily search of a new opportunity. Each Golden Moment made a special impression in me, made me review concepts and behaviours."
A big part of our actions have influence of experienced sensations and emotions in meeting and living with others.
We adopt behaviours, atitudes and make correct decisions based in past meetings and experiences with great masters, important people, people we admire.
But this sensations, like batteries, get empty with time.
There is only one solutions: recharge them.
Lucky us when we find the correct socket, with the correct voltage to plug in and be conected in our pursuit of happiness.
"It was very interesting the evaluation of Kendo kamaes (fighting stances/postures). Very different in comparison with Kenjutsu kamaes. A layman really could not tell the difference. Comparing the pratical situations, the superiority of the Kenjutsu was clear."
You should not impose thoughts and conclusions in respect of the superiority of one technique or kata above other, without demonstrating it first. You demonstrate and then the spectator will draw its own conclusions with clarity.
"Without wasting any time, we go through combats where the opportunity of meeting and fighting against new collegues and test your techniques was very important. We had a lot of corrections. Sensei enphasized the use of Jodan (fighting stance where the tip of the sword is higher), the resourcefullness of fighting with the Kodachi (small sword), and the importance of using different cuts (or strokes) in combat.."
The secret to win is in the use of the Kodachi.
If one do not study this lesson, one is neglecting the Way of the Sword.
"Final shiai, lots of combats to end the day with a yet higher energy. Followed the dinner, allways a very happy moment to meet againg everyone you fought against/with after a day of war, with a lot of things to share, and a lot of celebration for the productive day, during the Birudo."
The one that does not appreciate drinking sake with your fellow warriors, will be harmful in any group.
We had little time to rest, and again we were fighting. It was my first Gashuku in which I could practice the Iaijutsu, and for me it was very important. I learned a lot this past year, and to see the detailed corrections were specially helpful, no doubt. Sensei was very considerate, correcting every important detail at every moment. Moments like this, where we all learn new things no matter what level or graduation, show us how rich the Iaijutsu practice is. It may sound silly, but there are details... within the details! Only with Sensei's correction we can evolve, only with the intense repetition we can improve. The Iai has become yet more important for me this year in particular because made me improve my concentration and focus."
It is impossible to not concentrate when wielding a metal blade. Specially when it is a real cutting blade.
"The double piece cut was impressive. To went through the experience of learning to control your own energy it is not easy. The first impression is that we need more strength to cut two pieces. It is not exactly the case.
NoIn the cutting moment, a lot of things comes automatically. Only after the cut we can evaluate what we done.
Senpai Araujo allways reminded me in our trainning sessions, that the stopping position of the sword makes all the difference at the end of a kata. It is like a signature. The final part is essencial for the conclusion of the cut. If something distract us at the end, we lose the efficiency. I took a deep breath and I believe that my technique got better and better."
Words cannot describe or explain. Only the ones that were there and tried the special cut know how it felt and now know how to do it.
At the end of the Gashuku I received with great joy the 5th Kenjutsu Kyu and the 6th Iaijutsu Kyu (graduations). It was hard to breath normally... for some minutes at least. The blue Kimono for me represents a new beginning, the opportunity to learn more and improve in the Path. I was very happy. I am sure that 2017 will be full of battles, lots of learning and a lot of opportunities."
In Niten, after you are able to wear the blue Kimono, certainly the Path will be full of battles, where only the most determined ones win.
"And about my Ronin situation, I gladly inform that in this month of March, I begun working at a new job, as Senior Project Manager in a new Company. Nothing in this life happens by chance. To find the Niten Institute is a unique opportunity. To learn that the practice is important to maintain ourselfes alive and competitive, learn to make a bigger effort every day, that we need to be righteous, to improve in the details, and that we need to sweat a lot. Arigatou Gozaimashita Sensei, Senpais and collegues of the practice, for not letting me lose hope and to always keep me going foward!" -
Guimarães (Niten branch in São José dos Campos city - Brazil)"
In about one year I have guided Guimarães so that he becomes a warrior leader, to participate more in oour classes, and encouraging him to become a Coordinator in Niten.
The result of this is what you just read: From Ronin to Project Manager.
One more victory for Niten.
This defines in a few words our encounter: the 1st Niten Institute Workshop in the United States of America.
It's been a pleasure to meet all of you, that with determination and will, have demonstrated your warrior "tamashii" (soul) that day.
Our Master, Musashi Sensei is certainly very pleased. Despite of being known for almost 2 centuries in America, this is the 1st time his teachings have been officially transmitted, in a pure and genuine way.
In this month, I went to Japan, put the light on an incense at his grave
The Niten Cultural Institute, on its turn, is honored. Bringing the art of being unbeatable thru the Kenjutsu Combat to the people who has fought so much to be respected is rewarding.
As for me, I'm proud. This has been the first time I taught a class in English. It's been a tough "shiai" (combat), but I believe I won.
Practice firmly, cause we are going to re-encounter, to hold other "Historical Moments".
Arigatou to all. - Sensei Jorge Kishikawa
"I would love to join to an academy soon."- Desiree Galindo
"It was a fantastic experience at the workshop. Looking forward for more.
Regards"- Miguel Pachon
"WONDERFUL EXPERIENCE" - Omar Plummer
"I enjoyed the workshop and Sensei Kishikawa's instruction, I am open to future practices should opportunities arise, and thank you for hosting me last week" - Eric Jacobs
"Looking forward to more classes and seminars"- Nabil Abbasi"
"I feel really grateful for been part of the Workshop and extremely honored of having meet sensei Kishikawa. I believe it was an amazing experience and that we are all going to try to incorporate the extensive knowledge the sensei shared, to help us keep our Kokoro Gamae strong.
I sincerely hope that this workshop/seminar had served as the key to open the entrance door for the Niten Cultural Institute to the USA.
Just good luck and thank you very much again for the opportunity. Please do not hesitate to contact me for updates on new events or assistance.
It will be an honor and a pleasure to help in any possible way.
Domo Arigato Gozaimashita!
Best Regards" - Alberto Roque
"It was an honor to have participated in the first workshop in the USA with Sensei Kishikawa. I have read the Book of Five Rings a few times in my life and being that this is the evolution of Miyamoto Musashi's Legacy to the world. I'm looking forward to the
time when we can train and cross swords with Sensei or his disciples. My fiance, Vanessa Velasquez, and I are looking forward to the next workshop or dojo opening here in Florida. Regards" - Juan M Borrero Rivera
"I am truly honored to have been able to participate in this workshop. I had a truly inspirational evening. I felt rejuvenated and motivated, something I had been struggling with recently. Thank you deeply to everyone for an incredible experience. I look forward to the next time. ^_^" - Vanessa Velasquez
TRADUÇÃO: "Estou genuinamente honrada por ter conseguido participar do workshop.
Tive verdadeiramente uma noite inspiradora. Me senti rejuvenescida e motivada, algo que eu estava buscando profundamente nos últimos tempos. Muitíssimo obrigada a todos por essa incrível experiência. Fico no aguardo de novas oportunidades."
"I am honored to have been able to practice Niten Ichi Ryu here in the USA and to be part of the first group in America.
Arigato Gozarimashita" - Leonardo Gonzalez
"To understand my excitement over Sensei's visit to the United States
Over my year of training at the Abasto and Recoleta schools, my colleagues would often describe their experiences training with Sensei in Brazil. So when Sensei came to visit Buenos Aires for a gashuku (a special intense training session), I leapt at the opportunity to attend. The gashuku was everything I had hoped: informative, fun, and energizing, but its ending was bittersweet. I was planning my move back to the U.S. shortly after the gashuku and wondered if I would ever have the chance to train with Sensei again.
With this in mind, it is easy to understand my excitement to hear that Sensei was planning to hold a gashuku in Miami, the first of its kind in the U.S. This was the beginning for Niten in a new country, my country, and a chance to introduce others to a culture and mentality that I respect so much. I cannot thank Sensei enough for the opportunity to assist him in this effort and look forward to helping grow the Niten Institute in America. "
Takeshi Kamimura, Sensei and Thomas Spanos
and Director of the Inovation Office DDID. In Sony's TV channel 'Shark Tank' show, his Office and Rodrigo himself received investiment proposals above the expected amount and also to have Robson Shiba, CEO of 'China in Box' and 'Gendai' food companies as a mentor and consultant.
Rodrigo Dangelo is the Niten Institute Coordinator in Curitiba city
and Director of the Inovation Office DDID.
In Sony's TV channel 'Shark Tank' show, his Office and Rodrigo himself received investiment proposals above the expected amount and also to have Robson Shiba, CEO of 'China in Box' and 'Gendai' food companies as a mentor and consultant.
- It was a tie! - yells the first one.
- No, you lost - says the second one.
- No way! If you doubt me, then let's duel again, but now with the Katana (sharpen steel samurai sword). I challenge you again! - the first one draws his sword furiously.
This scenario is depicted in the movie "The Seven Samurai", from Akira Kurosawa, and it shows a duel between two Samurai. It takes place around the year 1700 and the end of the scene is the hot-headed Samurai (the first one) falling, in slow motion, after being cut flawlessly, 6 inches through his left shoulder, hit by the technique called Toraburi*.
Fortunately all the Samurai techniques were preserved in kata* form, but none of them were recorded being tested in real combat.
The outcome of this is that you can't arrive in a conclusion.
There will allways be someone that will interpret "his technique" or "his Kamae*" as more correct or more efficient.
For many times, in all the schools that I studied, I saw disagreements between them and even between teachers of the same school regarding a specific kata.
"It is not like that because in that way you wouldn't cut" or "If you do it his way, you will be at a disadvantage before your opponent".
Some say: "My way is better".
To know who is right, obviously it is not necessary to get a metal sword and start killing each other.
Nowadays, we can test the techniques with protection equipment and bamboo swords and then arrive at a conclusion. This is the Kenjutsu Combat.
The path should be clear: Less Speculation, More Convincing.
*Kamae= Posture or stance in preparation for a strike, usually named after elements of nature or animals.
*kata= pre-defined movements, simulating a duel
*Toraburi= Miyamoto Musashi's Niten Ichi School Kata from the Tachi Seiho (Long sword techniques).
It is known as the "Tiger's Onslaught" and it is part of the set of kata that we learn here in the Niten Institute.
剣術対戦 - Kenjutsu Combat
"By applying the old schools techniques in Kenjutsu Combat takes us closer to the understanding of the Go Rin no Sho (The Book of Five Rings - from Miyamoto Musashi), the Sun Tzu's Art of War and other old strategy books.
To relive these techniques you need to take them from the kata to the combat reality.
That way you will feel what are the secrets behind the Fire Kamae, the Sky Kamae, the Earth Kamae.
You will realize that against the Moon, there must be the Sun. Or that the Tree is as strong as the Metal.
In the end, to practice the Kenjutsu Combat is to dive deep in the old texts and give life to it all.""Give life to the past", page 138 of the Shin Hagakure (In Portuguese)
Musashi Sensei (Miyamoto Musashi), wrote in his book "Go Rin no Sho"
One hand must be empty, free.
As well as they have to hold, each one, a sword. (when fighting with two swords at once)
This is Niten. This is Kenjutsu Combat.
When we practice to exhaustion, we can glimpse the beginning of the path to invincibility.
Have you ever seen live or a video of a Bullet Train
Sensei e Sanches no Japão
When you see it, too late, its gone.
Just like a bullet.
Just like in Kenjutsu Combat.
"The Japanese Bridge over the Water Lilies Pond in Giverny" is a painting by Monet
They said that the old artist was suffering from a disease that compromised his eyesight, and therefore they did not considered the meaning of his choice by not drawing "more realistically" to the real image.
At the beginning, even a great artist is misunderstood. It part of the learning process and maturation of the artistic eye.
In time, the more observent ones realized his intentions, and managed to see that this work of art, not so much as a simple image, has a special connection with something greater: the Truth.
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